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BAUGHN: Ranking the top 5 best albums of 2022
Sam Baughn
, Assistant Music Director
December 13, 2022
ALEXANDER and BAUGHN: 2022 Grammy nominations: A reaction and critique
Rashad Alexander
and
Sam Baughn
November 29, 2022
LINDSTROM: The Live Music Industry Needs Saving
Clare Lindstrom
, Audio Arts & Entertainment Producer
November 21, 2022
Rashad’s Records: “Her Loss” Is a Huge Win for Drake and 21 Savage
Rashad Alexander
, Music Director
November 15, 2022
REVIEW: “Midnights” resonates with Swifties
Lauren Puthoff
, Arts and Entertainment Reporter
November 1, 2022
REVIEW: Arctic Monkeys present an enigmatic and emotional musical journey with ‘The Car’
Sam Baughn
, Assistant Music Director
October 25, 2022
Rashad’s Records: Lil Baby’s ‘It’s Only Me’ is an inconsistent, yet enjoyable listen
Rashad Alexander
, Music Director
October 20, 2022
REVIEW: Locate S,1 and the dangers of going into a concert blind
Will Eikenbary
, Arts and Entertainment Assistant Editor
October 19, 2022
Honesty in Music: “People Helping People” review + No Age interview
Tom Oeffling
, Marquette Radio On-Air Host
October 18, 2022
REVIEW: Hippo Campus concert
Angelina Galullo
, Arts and Entertainment Reporter
October 12, 2022
REVIEW: Djo’s ‘Decide’ is an 80’s enthused synth-pop trip through young adulthood
Sam Baughn
, Assistant Music Director
September 25, 2022
Review: Kendrick Lamar brings performance art to Milwaukee
Sam Baughn
, Assistant Music Director of Marquette Radio
August 25, 2022
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